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About
Sky Onion Mastering: Many people also wonder - what exactly is mastering? That's a big question and the answer really depends on the source material and the needs of the artist. Sometimes mastering is about enhancing and coloring a mix to make an otherwise "flat" sounding recording come alive on the speakers. Sometimes it's about maintaining the sonic qualities of a mix while making minor adjustments in the most transparent way possible. I try my hardest to acheive whatever sound the artist is after while subjecting every recording to the highest possible level of quality control. Another question many people have asked is if I use hardware or software for mastering. The answer is both, but I believe that analog vs digital is not the most important issue. I believe the number one most important mastering tool is the listening environment, and I have a purpose-built acoustically treated listening room featuring extremely accurate speakers and D/A converters. The next most important thing is experience - I have mastered many records and intend to master many more (check my client list page for details). After that, it's all about signal processing and I choose both analog and digital options. Analog provides a level of warmth and pleasing harmonic distortion that is simply not available in the digital domain. Digital, on the other hand, offers precision and transparency that is unmatched in the analog realm. Therefore I use high quality analog AND digital equipment from companies such as Cranesong, ADAM, Universal Audio, Lavry, Apogee, Steinberg, PSP, Izotope and Voxengo, plus some custom I built or modified myself. Recording & Mixing: About
Gus Elg: |
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